On 21 February 1970, pianist Peter Evans sat at a piano in Watter’s Gallery, Sydney and prepared himself for a performance of French composer Erik Satie’s 1893 composition Vexations. The piece is notorious for its weird intervals and disturbing effects on both the performer and audience… and the fact that Satie gave instructions that theContinue reading “Satie’s Vexations: Weird Musical History #14”
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Paul Weatherhead 